/
Currently, my work has been committed to a small amount of characters/forms that have been observed and abstracted to many different degrees. I am curious most, in the naming of 'the thing' we observe and how paint, process and format can shift the way we perceive images and reflect inadequacies in memory and language.
My paintings hedge between abstraction and representation, between memory and willed conjuring. Forms reoccur and change over time, but the mainstay of my visual vocabulary is autobiographical and observational.
Atmosphere, time and the challenge of making paintings that reference past, future, present occupy the bulk of my interest in painting.
I want my paintings to connect synapses, build bridges and to live between brazen self-assuredness and a sort of quietude that asks rather than demands your attention.
CH
/
The Curator:
Interview with Danielle Orchard - 2018
The Curator:
On Influence - 2016
Writing:
Art Savvy: The Continuum of Drawing
Art Savvy: David McDonough
Art Savvy: Leeza Meksin
Art Savvy: Emilie Stark-Menneg
Art Savvy: Danielle Orchard
Art Savvy: Will Hutnick
Art Savvy: Eric Hibit
Art Savvy: On Scale, Corydon Cowsanage
Art Savvy: Creating What is Missing
Art Savvy: Alicia Adamerovich
Art Savvy: Get out of the studio!
Art Savvy: OyG 5 Year Anniversary
Art Savvy - Notice what you notice
Art Savvy - Building Culture & Collecting
Art Savvy - Rebecca Ness
Art Savvy: On the work of Adam Handler
Two Coats of Paint: A Story of Connection
An L.A. Artist Residency 2016
Look e Listen: / Interview